- Because we want to start things off light, let's discuss religion. What, if anything, do you think this novel is trying to say about religion? Why and what evidence do you see for this? If you don't think the novel is speaking toward religion, then why not? Where do you see evidence for this, and what purpose does this silence on the subject serve?
- Gender flip-flops all over the place in Lord of Light. Women become men (Brahma), some want to go back to being women (Kali), and some characters are neither (the Rakasha) or both at the same time (Helba). What do you think all this flip-floppery says on the subject of gender in the novel and why? Also, does one gender come out as superior to the other? If so, which one and why? If not, why not? How does this affect your reading on gender in the novel?
- Why do you suppose the novel's structured the way it is? Why does the novel start in medias res rather than with Chapter 2? Why do you think each chapter is novella length and centers around its own tale? Finally, do you think these structural patterns help or hinder the story being told, and why?
- Check out Sam's speech on the meaninglessness of words and names in Chapter 1 (409-420). In later chapters, do you see the themes of this speech reappearing? If so, where and in what way do they tie the novel together? If not, why not, and why do you think the subject is just dropped?
- Why do you think Lord of Light is simultaneously science fiction and fantasy? What purpose does this blending of genres serve? Does it enhance a certain theme or bring to light certain issues? Don't forget those examples. Alternatively, do you think it is one genre and not the other? Neither genre? Where do you find proof for this reading, and what does it signify to you as a reader?
- Time to adapt this thing, Choose a media other than novel: film, graphic novel, TV series, text-based adventure RPG video game—whatever you want. How would you adapt Lord of Light for that medium? Don't forget to consider the specific themes, characters, and plot points you want to focus on and how they would be developed within your medium of choice.
- Hijack a mythology of your own. Could be Greek, Egyptian, Indo-American, Judeo-Christian, Norse, Celtic, or even Hindu (so long as you don't retread Zelazny's path). Now, create an outline for your own story involving this dynamic set of mythological gods, heroes, and kings. Feel free to dive into any genres that pique your interest and suit the themes you're interested in exploring. And if you feel up to it, you can set your butt down at a computer and knock the thing out in full form.