Uncle Tom's Cabin Full Text: Chapter 4

Uncle Tom's Cabin Full Text: Chapter 4 : Page 8

"Mas'r George is such a beautiful reader, now, I know he'll stay to read for us," said Aunt Chloe; "'pears like 't will be so much more interestin'."

George very readily consented, for your boy is always ready for anything that makes him of importance.

The room was soon filled with a motley assemblage, from the old gray-headed patriarch of eighty, to the young girl and lad of fifteen. A little harmless gossip ensued on various themes, such as where old Aunt Sally got her new red headkerchief, and how "Missis was a going to give Lizzy that spotted muslin gown, when she'd got her new berage made up;" and how Mas'r Shelby was thinking of buying a new sorrel colt, that was going to prove an addition to the glories of the place. A few of the worshippers belonged to families hard by, who had got permission to attend, and who brought in various choice scraps of information, about the sayings and doings at the house and on the place, which circulated as freely as the same sort of small change does in higher circles.

After a while the singing commenced, to the evident delight of all present. Not even all the disadvantage of nasal intonation could prevent the effect of the naturally fine voices, in airs at once wild and spirited. The words were sometimes the well-known and common hymns sung in the churches about, and sometimes of a wilder, more indefinite character, picked up at camp-meetings.

The chorus of one of them, which ran as follows, was sung with great energy and unction:

_"Die on the field of battle, Die on the field of battle, Glory in my soul."_

Another special favorite had oft repeated the words--

_"O, I'm going to glory,--won't you come along with me? Don't you see the angels beck'ning, and a calling me away? Don't you see the golden city and the everlasting day?"_

There were others, which made incessant mention of "Jordan's banks," and "Canaan's fields," and the "New Jerusalem;" for the negro mind, impassioned and imaginative, always attaches itself to hymns and expressions of a vivid and pictorial nature; and, as they sung, some laughed, and some cried, and some clapped hands, or shook hands rejoicingly with each other, as if they had fairly gained the other side of the river.

Read Shmoop's Analysis of Chapter 4