Uncle Tom's Cabin Full Text: Chapter 15

Uncle Tom's Cabin Full Text: Chapter 15 : Page 9

The carriage stopped in front of an ancient mansion, built in that odd mixture of Spanish and French style, of which there are specimens in some parts of New Orleans. It was built in the Moorish fashion,--a square building enclosing a court-yard, into which the carriage drove through an arched gateway. The court, in the inside, had evidently been arranged to gratify a picturesque and voluptuous ideality. Wide galleries ran all around the four sides, whose Moorish arches, slender pillars, and arabesque ornaments, carried the mind back, as in a dream, to the reign of oriental romance in Spain. In the middle of the court, a fountain threw high its silvery water, falling in a never-ceasing spray into a marble basin, fringed with a deep border of fragrant violets. The water in the fountain, pellucid as crystal, was alive with myriads of gold and silver fishes, twinkling and darting through it like so many living jewels. Around the fountain ran a walk, paved with a mosaic of pebbles, laid in various fanciful patterns; and this, again, was surrounded by turf, smooth as green velvet, while a carriage-drive enclosed the whole. Two large orange-trees, now fragrant with blossoms, threw a delicious shade; and, ranged in a circle round upon the turf, were marble vases of arabesque sculpture, containing the choicest flowering plants of the tropics. Huge pomegranate trees, with their glossy leaves and flame-colored flowers, dark-leaved Arabian jessamines, with their silvery stars, geraniums, luxuriant roses bending beneath their heavy abundance of flowers, golden jessamines, lemon-scented verbenum, all united their bloom and fragrance, while here and there a mystic old aloe, with its strange, massive leaves, sat looking like some old enchanter, sitting in weird grandeur among the more perishable bloom and fragrance around it.

The galleries that surrounded the court were festooned with a curtain of some kind of Moorish stuff, and could be drawn down at pleasure, to exclude the beams of the sun. On the whole, the appearance of the place was luxurious and romantic.

As the carriage drove in, Eva seemed like a bird ready to burst from a cage, with the wild eagerness of her delight.

"O, isn't it beautiful, lovely! my own dear, darling home!" she said to Miss Ophelia. "Isn't it beautiful?"

"'T is a pretty place," said Miss Ophelia, as she alighted; "though it looks rather old and heathenish to me."

Tom got down from the carriage, and looked about with an air of calm, still enjoyment. The negro, it must be remembered, is an exotic of the most gorgeous and superb countries of the world, and he has, deep in his heart, a passion for all that is splendid, rich, and fanciful; a passion which, rudely indulged by an untrained taste, draws on them the ridicule of the colder and more correct white race.

St. Clare, who was in heart a poetical voluptuary, smiled as Miss Ophelia made her remark on his premises, and, turning to Tom, who was standing looking round, his beaming black face perfectly radiant with admiration, he said,

"Tom, my boy, this seems to suit you."

"Yes, Mas'r, it looks about the right thing," said Tom.

All this passed in a moment, while trunks were being hustled off, hackman paid, and while a crowd, of all ages and sizes,--men, women, and children,--came running through the galleries, both above and below to see Mas'r come in. Foremost among them was a highly-dressed young mulatto man, evidently a very _distingue_ personage, attired in the ultra extreme of the mode, and gracefully waving a scented cambric handkerchief in his hand.

This personage had been exerting himself, with great alacrity, in driving all the flock of domestics to the other end of the verandah.

"Back! all of you. I am ashamed of you," he said, in a tone of authority. "Would you intrude on Master's domestic relations, in the first hour of his return?"

All looked abashed at this elegant speech, delivered with quite an air, and stood huddled together at a respectful distance, except two stout porters, who came up and began conveying away the baggage.

Owing to Mr. Adolph's systematic arrangements, when St. Clare turned round from paying the hackman, there was nobody in view but Mr. Adolph himself, conspicuous in satin vest, gold guard-chain, and white pants, and bowing with inexpressible grace and suavity.

Read Shmoop's Analysis of Chapter 15