Sons and Lovers Full Text: Chapter 11

Sons and Lovers Full Text: Chapter 11 : Page 8

She put her hands over him, on his hair, on his shoulders, to feel if the raindrops fell on him. She loved him dearly. He, as he lay with his face on the dead pine-leaves, felt extraordinarily quiet. He did not mind if the raindrops came on him: he would have lain and got wet through: he felt as if nothing mattered, as if his living were smeared away into the beyond, near and quite lovable. This strange, gentle reaching-out to death was new to him.

"We must go," said Miriam.

"Yes," he answered, but did not move.

To him now, life seemed a shadow, day a white shadow; night, and death, and stillness, and inaction, this seemed like BEING. To be alive, to be urgent and insistent--that was NOT-TO-BE. The highest of all was to melt out into the darkness and sway there, identified with the great Being.

"The rain is coming in on us," said Miriam.

He rose, and assisted her.

"It is a pity," he said.

"What?"

"To have to go. I feel so still."

"Still!" she repeated.

"Stiller than I have ever been in my life."

He was walking with his hand in hers. She pressed his fingers, feeling a slight fear. Now he seemed beyond her; she had a fear lest she should lose him.

"The fir-trees are like presences on the darkness: each one only a presence."

She was afraid, and said nothing.

"A sort of hush: the whole night wondering and asleep: I suppose that's what we do in death--sleep in wonder."

She had been afraid before of the brute in him: now of the mystic. She trod beside him in silence. The rain fell with a heavy "Hush!" on the trees. At last they gained the cartshed.

"Let us stay here awhile," he said.

There was a sound of rain everywhere, smothering everything.

"I feel so strange and still," he said; "along with everything."

"Ay," she answered patiently.

He seemed again unaware of her, though he held her hand close.

"To be rid of our individuality, which is our will, which is our effort--to live effortless, a kind of curious sleep--that is very beautiful, I think; that is our after-life--our immortality."

"Yes?"

"Yes--and very beautiful to have."

"You don't usually say that."

"No."

In a while they went indoors. Everybody looked at them curiously. He still kept the quiet, heavy look in his eyes, the stillness in his voice. Instinctively, they all left him alone.

About this time Miriam's grandmother, who lived in a tiny cottage in Woodlinton, fell ill, and the girl was sent to keep house. It was a beautiful little place. The cottage had a big garden in front, with red brick walls, against which the plum trees were nailed. At the back another garden was separated from the fields by a tall old hedge. It was very pretty. Miriam had not much to do, so she found time for her beloved reading, and for writing little introspective pieces which interested her.

Read Shmoop's Analysis of Chapter 11