AP® English Language and Composition—Semester A
Half rhetorical analysis, half super-deep thoughts, and a hundred percent Shmoop.
- Course Length: 18 weeks
- Course Type: AP
- Category:
- College Prep
- English
- High School
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This course has been approved by the College Board, which indicates that the syllabus "has demonstrated that it meets or exceeds the curricular expectations colleges and universities have for your subject." Please contact sales@shmoop.com if you would like to add this course to your official record of AP course offerings.
It has also been granted a-g certification, which means it has met the rigorous iNACOL Standards for Quality Online Courses and will now be honored as part of the requirements for admission into the University of California system.
In this course, we get to read some of the best classic and contemporary nonfiction prose out there, hobnob with some of the world's most brilliant thinkers, and hone our reading, writing, and critical thinking skills so that we can hold our own with the best and the brightest.
Exactly who and what make up this mix of the best, brightest, and most brilliant? Well, we could argue that for days. And in this course, we will do just that—the abundance of texts and thinkers in this course is truly awesome. While no course, no matter how well designed, can possibly include all of the "must-read" texts, our goal for this one is to help you wield and hone that ol' intellectual sword of yours so that you can pop open whichever literary oysters suit your fancy. Whenever you want.
To that end, we're going to be reading, analyzing, and writing about all sorts of texts
- by classic authors like Plato, Henry David Thoreau, Niccolò Machiavelli, Jonathan Swift, and Frederick Douglass.
- by famous speechmakers like Abraham Lincoln and Franklin Delano Roosevelt.
- by modern writers like Gabriel García Márquez, Malcolm Gladwell, Truman Capote, and Steven Johnson.
As we consider their works, we'll be immersed in themes like responsibility and ethics and equality and morality and government and epidemiology.
(Whew. Exhale.)
And just in case that sounds a tad stuffy, keep in mind that these authors don't "do" boring. Nope. They're engaging with some of the biggest issues and crises of their time. We're talking murders and kidnappings and rampant epidemics and gross injustices. In short, we're talking life and death situations that impact people everywhere—and the language and writing styles that inform us about 'em.
P.S. This is a two-semester course. You're looking at Semester A.
Unit Breakdown
1 AP® English Language and Composition—Semester A - Great Orators: They're Famous for a Reason
Regardless of the circumstances dictating these most famous speeches of history, they typically have one thing in common: they're rhetorical masterpieces. So, in a course that puts rhetoric at its center, it makes sense to begin by examining what qualities make certain speeches so special. As we place a few of these verbal masterpieces under the microscope, we'll be getting up close and personal with the three basic persuasive appeals (a.k.a. pathos, logos, and ethos), laying the foundation for our rhetorical terminology glossary.
2 AP® English Language and Composition—Semester A - The Tipping Point, Or the Straw that Broke the Camel's Back
The concept behind The Tipping Point—which author Malcolm Gladwell calls "the biography of an idea"—is that small details can make a big difference, ultimately resulting in tipping the scales towards a particular behavior. The point? To get people talking. And thinking. And criticizing. Which is precisely what we're going to do as we apply some of his ideas (and rhetorical strategies) to the texts we'll be examining (and writing) throughout this course.
3 AP® English Language and Composition—Semester A - The Mind's a Tricky Thing
Warning, Shmooper: this is one deep unit. We'll chill with the likes of Plato, Sir Francis Bacon, and René Descartes, to learn about some of the obstacles that blind us to things with capital letters like Truth and Knowledge.
Intimidated yet? From there, we'll make a few stops in the 20th century to ponder creativity, perspective, and the mysteries of the human brain, before landing in the 21st century to consider the ways in which technology is shaping the way we think and how we plan for the future. Through it all, we'll examine the rhetorical tricks that these writers have up their sleeves and keep circling back to Johnson's The Ghost Map.
4 AP® English Language and Composition—Semester A - Midterm Review
Rather than pile on a few more texts, Shmoop believes that review should be just that: the opportunity to regroup, reconsider, and revisit those texts or skills that you believe require another look before sitting down to take an important, the fate-of-your-entire-academic-career-depends-upon-your-score kind of test.
(Just kidding.)
5 AP® English Language and Composition—Semester B - Bargaining Chips
Fiction-writing Shmoop favorite Gabriel García Márquez's book News of a Kidnapping recounts the series of early 1990s kidnappings by the Medellin drug cartel. Written at the request of one of the hostages, the book does much more than simply explore the plight of the hostages. Unit 8's central text contains masterful prose and a nuanced look at the events and issues it covers. So be prepared to kick off Semester B with a deeper focus on rhetoric, characterization, and text connections. Plus, gangsters.
6 AP® English Language and Composition—Semester B - Large and In Charge
Thematically inspired, at least in part, by the political backdrop of course texts like News of a Kidnapping, The Ghost Map, and The Tipping Point, this unit focuses on what some of the best and brightest have had to say about government and leadership. We'll be considering things like what qualities make for the best ruler, how much power should reside with the people, and to what degree people can (or ought) to be free when they participate in a society. To be absolutely honest: there are no easy answers. However, that's totally fine with us because it leaves the field wide open for debate.
7 AP® English Language and Composition—Semester B - Shattered Lives
As we read through In Cold Blood, Truman Capote's "nonfiction prose" about the nature of violence and the individuals who visit that violence on others, we'll be exploring everything from what makes Capote's text so rhetorically different from other texts to the issues that lie at the heart of the crime itself. We'll also take a few side trips, including a stop to investigate another infamous murder from a few decades earlier (that of Bobby Franks) as well as Gladwell's argument about the power of context.
Recommended prerequisites:
Sample Lesson - Introduction
Lesson 2.02: Epic Fails
No one wants to be that person...you know, the one remembered for being the worst dressed, hosting the worst party, or giving the worst speech. Especially since, with social media, there's no place to hide. Show up with a pimple the size of Mt. Vesuvius on your nose or give a cringe-worthy speech, and your humiliation can go viral in no time at all.
Unfortunately, it's super-easy to mess up, especially if you're under pressure. A simple Internet search for "worst speech ever" will bring up more hilarious and humiliating fails than you could possibly watch, ever, even if you enjoy binge-watching YouTube videos in your spare time. So, the question is: How does a speech avoid going viral for all the wrong reasons? In other words, what makes a speech work?
That, folks, is what we're about to find out.
Sample Lesson - Reading
Reading 2.2.02: It's All Related
Yes, this unit is focusing mostly on speeches. And, yes, we're gonna be spending a lot of time looking at the rhetorical devices and strategies that authors and speechmakers use to make their words memorable, relatable, persuasive, and so on.
However, we're not just readers. And there's really no point in taking an AP course if we're hoping to be a passive audience. Nope. We're meant to be all in. That means as writers, too.
Just as there's an art to what speechmakers and famous prose writers do, there's also an art to writing about those famous speeches and prose works. So, to brush up on the how-to of effective writing, we're going to turn to our A World of Ideas text. Read "Writing about Ideas" on pages 13 – 50, highlighting and annotating merrily as you go.
We know. It can be a bit dry reading about how to write well. However, the text offers up many useful strategies and tons of helpful examples so that you don't feel lost the next time you're faced with writing about a text. Our advice: Really pay attention whenever you see a bold heading and make sure that you read the text that follows carefully. When you get to the examples—trust us, they'll be obvious—feel free to skim a bit. You can always revisit them when it's your turn to question the text, develop a thesis, or write an essay.
BTW—you can expect a few quiz questions on this reading, so make sure you put in the time to read...even if you need a caffeine drip to keep going.
Sample Lesson - Activity
Activity 2.02a: Top Ten Ways Not to Be a Speech "Which Will Live in Infamy"
There are certain things that public speakers can do to avoid throwing themselves under the proverbial bus—like abstain from shouting at the audience like this guy, or doing one-armed push-ups on stage. Speakers can also take classes to help hone those public speaking skills. However, none of that matters if their speech is the verbal equivalent of putrid road kill.
But, how does one write a strong and memorable speech?
Good question.
Quite often, it takes time—days, maybe even weeks. Historical circumstances matter, too. War-time speeches draw way more attention—and, therefore, are more memorable—than, say, speeches about prescription medication plans. Just saying.
However, high-stakes, high-pressure situations like war often require almost immediate responses. Take FDR's "Day of Infamy" speech, which was delivered less than 24 hours after Roosevelt learned of the attack on Pearl Harbor. (Okay, so maybe that's not an immediate response, but it's still pretty darn quick.)
Anyway, FDR's speech went on to become one of the twentieth century's most memorable speeches. Why? Well, sure, historical circumstances helped. However, Roosevelt's Pearl Harbor speech has way more going for it than just "timing." It is also celebrated for its outstanding rhetoric.
And, this is where you come in. Your goal?—to create a Top Ten List outlining ten outstanding rhetorical moments in FDR's Pearl Harbor Speech, and then to weigh in on which rhetorical strategy deserves to be at the top of that list.
Step One
For starters, you'll need to read FDR's Pearl Harbor speech. Get it here.
As you read, annotate. (Either copy the text into a Word document or download to an e-reader.) Your annotations should focus particularly on Roosevelt's use of ethos, pathos, and logos as well as his use of other rhetorical devices (think: Roosevelt's use of diction, sentence structure, parallelism, and so forth).
Step Two
Once you've carefully read and thoroughly annotated FDR's speech, it's time to tune in to hear the speech as FDR's audience heard it. Although FDR often relied on speechwriters to help draft his speeches, this is a speech he wrote himself. Chances are that as he wrote the speech, he knew how it would sound to his audience as he delivered it.
So, listen to the audio carefully, taking notes on how FDR's delivery of the speech may have impacted the audience's reception of it. Consider things like pace and tone as well as the impact of calculated pauses, changes in sentence structure, emphasis on certain words or syllables, etc.
Although your annotations are just for you, make sure that they're detailed and specific. That way, the rest of the activity goes much more smoothly.
Step Three
Revisit the speech and your annotations. Highlight or number the ten most effective rhetorical moments of the speech. As you find them, identify them by name (for example, parallelism, ethos, etc.).
That's right. It's terminology time. You should be scribbling the names of rhetorical devices all over FDR's speech.
Expository Writing Rubric - 25 Points
Sample Lesson - Activity
- Course Length: 18 weeks
- Course Type: AP
- Category:
- College Prep
- English
- High School
Schools and Districts: We offer customized programs that won't break the bank. Get a quote.
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